After my husband died I started drinking coffee. I drank it before but I never liked it, not that much, his death kicked something in me. It’s as if it turned on a secret gene, a gene for liking coffee. I drank it. Then I went out and got some more. There’s this place, like Trader Joe’s, you stand in line and the guy makes you the coffee. He stands behind the counter and wears a shirt, Trader Joe’s. Maybe that’s the name of this place. I forget things. It doesn’t seem important. Like clothes, sometimes you want to put them on and sometimes it feels like too much. Like making the bed, you have to unmake it anyway, so why bother, make it, unmake it, doesn’t it give you such a headache?
I stand in line like that, at this place. Without a stitch. Some people look at me but most don’t, it’s just the way these things go. There are things on line, candles and aromatherapy and cigarettes, the people look at them and not at me. Sometimes they look at a breast and then a cigarette, they look like hey, which is better. Then they choose the cigarette.
I stand here and think about my coffee. It’s hard to stay awake these days. I am falling asleep right now. Some guy has to scoop me up and he tries not to cop a feel, especially with this whole Weinstein thing. He doesn’t want to end up on the cover of Page Six. He smells like alfalfa beans and Brussels sprouts, he has a beard and there’s some gray in it, hiding, I want to pull it with my hands and feel it, I want to pull all that gray out, I want to feel it with my hands.
There are aromatherapy infusions, in little candles, I guess that’s to counter the weight of the cigarettes. The cancer.
The line it goes and goes. It never stops, I think I’m about to get somewhere when we bend the other way. And it reminds me of a car, like on the freeway, I sit back and let myself enjoy it, the ride of it, the bending back and forth. A man catches me, he says woah, and I say woah, and we woah like that together. It sounds like woe woe woe or row row row your boat, my breasts are getting tired, they want to lie down awhile, and then one of them does, it lies down in some honey. It just curls up there. The nipple is long and droopy, it wants someone to suck on it, a person or even a kitten, that will do.
One walks by. There is some white on it, it looks like a little hat, like something my son would wear, if we had one. The cat stops and sniffs. Then he walks away.
Leonora Desar’s writing has appeared or is forthcoming in River Styx, Passages North, Black Warrior Review Online, Mid-American Review, SmokeLong Quarterly, Wigleaf, Quarter After Eight, and elsewhere. She won third place in River Styx’s microfiction contest and was a runner-up/finalist in Quarter After Eight’s Robert J. DeMott Short Prose contest, judged by Stuart Dybek. She was recently nominated for the Pushcart Prize, is a three-time nominee for Best Small Fictions 2019, and has three stories forthcoming in the Best Microfiction anthology.