To the Anything Above by Leumas Eloc

“I heard you the first time,” Jeb yells at Marliss, his wife, both scanning the sagging plank-board ceiling threatening to collapse the homespun structure. Drops of melted ice hit their eyes and the dirt floor, creating an unhappy mud puddle in the middle of the room where the twins sit across in fleece pajamas playing thumb-war and I spy with my little eye.

“Lucky this whole house ain’t caved in,” Marliss says, pulling up the twins by their ears. “Ain’t enough they got croup, but now they gotta worry about the roof over their heads, too.”

“They ain’t the ones worrying.” Jeb snatches a pair of crimped wool gloves hanging above the wood burning stove.
“You gotta fix it.” She yells. “I mean, now.”

“Or else what,” he says. “You gonna do it?” He turns and faces the oak front door bent and hammered in the spring of 1913, the year he and Marliss arrived with little more than a chipped enamel teakettle, two mulish oxen, forty-nine dollars, and the chance to begin again—if beginning again is even possible after a baby girl dies of tuberculosis. Jeb squishes his feet inside a pair of black boots, two sizes too small. “You worry about not burning supper and I’ll take care of the rest.”

“You want cornbread or dumplings?”

“Don’t matter to me as long as it’s warm.”

“We also need more logs for the fire.” Marliss points to the wood box cowering beside the stove. “It ain’t gonna fill up itself.”

“Fine.” He stomps to the front door. The twins run toward him and grab his legs. “My little wood pilers.” He messes up their hair. “You wanna help daddy work outside today?”

“They ain’t going out in this weather.” Marliss rests her knuckles on her ribs, breath as frail as her bite.

“You ain’t that sick, is you,” Jeb says, spinning the twins round and around, both laughing as if life holds only merriment and ease. “Enough now.” He unwinds the twins and declaws their fingers from his legs.

“More. Daddy. More.”

“Go clean up your mess.” Marliss points the twins to a half empty box of rocks strewn across the floor. “Now.”
“Dumplings if you don’t mind,” Jeb says, grabbing a snow shovel.

Marliss limps forward, offering a kerosene lantern and the briefest of smiles. “Maybe we can use the rest of the butter.”

“Save it.” Jeb pushes the lantern into Marliss’s chest. “Ain’t nothing special about today.”

“It might be with a few candles on top.”

“Nice of you to remember but I don’t see the need.” Jeb inhales the cloying aroma of raw onion and salted jerky drying as thin strips atop the wood stove.

“Do it for the twins.” she says.

“That’s why I do everything.” He slams shut the door, as shut as a door full of small holes, and thin lines, can slam.
“Be careful out there,” Marliss yells. “For God’s sake, don’t die.”

Outside, a grisly wind and falling snow beat hard against his face, chest, and legs. The world, he believes, is trying to blot out every memory of him on this poorly written patch of land. An Apache sky, like an unlit matchstick, looms over the tiny farm. Unforgiving cries echo from inside the barn—twenty-one chickens, four Long Horn cows, ten baby pigs—further reminders of unpaid debts and unfinished chores that demand attention, even in the doldrum-pit of winter. Fog rolls in, tumbler-fulls at a time, adding weight to the path of snow growing like hilltops, ahead and behind. “No one’s dying today,” he whispers, lifting his shoulders as tall as the bulky layers allow. “Not on my watch.”
Right jab, left hook, upper cut to the jaw of heaven. “Take that,” he yells, making his way around the side of the house.

Each step, heavy and deliberate, leaves a trench mark for the trek back. He hopes. His legs, little by little, disappear into mounds of snow. Thank goodness he’d propped a wooden ladder last summer against the side of the house. He takes the rungs one and one to the top. Wobbling on the roof’s peak, he shovels snow and ice to the ground. Chills sweep his body, the parts he can still feel. He faces the sky. “Tempt all you want, but I ain’t giving up.” Licking numb lips, he loses balance and falls onto his back, sliding down the roof and landing in the snow, deep down in an implosion of white, white, white.

“Marliss,” he yells. “Kevin. Keith.” He swallows, until he can’t. “Katherine, my baby girl.”

Buried inside a tomb of coldness, recollections of a negligible life dance like icicle ghosts around widening emptiness. He frowns, and for a last time, leaves it there.


 

Leumas Eloc, who lives in Kalispell, MT, loves to write about middle class American life. He is an old dude, a cabinet maker, golf ball collector, and flaming democrat. Sometimes, often after patting a distended belly and staring at age spots expanding atop dry hands, he writes poetry and political essays.

Story of a Nose by Laton Carter

Brushing her teeth in the mirror, what was that coming out of the pores on her nose? Some kind of orange powder. But it was winter, the flowers were all dead. No, not pollen, she hadn’t leaned over that close to smell anything. Yes she had. The mac-and-cheese for her son, the pouch of dried cheddar mix inside the box — why was it always so difficult to open, and when she had, the foil lining at last broken, a small cloud emerged. As if it were a bottle of perfume — and because no one would ever possibly see her do it, and because in the milliseconds assigned to such flash thoughts as what kind of elaborate machine had manipulated this substance into the pouch and were there workers who monitored such a machine, did they wear white lab coats and goggles, did they dislike their job or was it tolerable and did they avoid the product that they packaged — she lowered her face to the lip of the torn parcel. This is what had done it. Nothing was coming out of her pores, she had dusted them herself. But that was hours — which in parenting time translated to distinct slices in the day’s pie chart — ago. She had been orange-nosed for at least half the waking day. And her son, always tactlessly quick to point out any aberration from the norm, hadn’t told her. This meant, Jesus, not the coffee drive-through, but the post office, the pet-mart, the library book return, and the grocery store — all with a saffron amoeboid shape decorating the tip end of her nose. She needed to spit. Instead she leaned closer into the mirror — who was this woman, the fine lines and age spots, the jawline threatening collapse, green eyes searching her brow, her lips, an unplucked hair, and was the young girl behind the eyes still there — and was it, yes, it was okay, it would feel good to laugh, maybe cry, it would feel good to let it out.


carter

Laton Carter’s Leaving received the Oregon Book Award. Recent work appears in Entropy and Necessary Fiction. Carter’s flash fiction was selected for Wigleaf’s Top 50 Very Short Fictions of 2018.

The Heart Sniper’s Tale by Blessing Nwodo

Monye washed her hands with water, sighing heavily as she looked around at the lines and lines of the wounded, for whom she had been crushing herbs and administering hot bitter concoctions since the break of dawn, offering empty soothing words where she could do nothing. A man with a broken leg moaned from the far side of the encampment, one healer holding him down as another administered treatment. She shuddered and left, gritting her teeth as his muffled cry of agony followed her. She moved swiftly but quietly past the people outside, waiting for word on their beloved ones. The Heart Sniper watched unseen from a vantage point, tightening the knot around Monye’s heart, pulling her towards the forest.

She walked, a long way behind the encampment, her slippers raising the red dusty earth as she moved. When she got to the forest she raised her wrapper and ran, barely feeling the branches scratch at her as she zoomed past.

The bright blue piper birds in the trees and their love for gossip passed around the message speedily and soon every living thing in the forest knew that Monye was again going to meet her lover from the enemy kingdom. She’d met Eyimofe even before the war between the two kingdoms began, and even now it did not matter to her that he was supposed to be the enemy.

She always thought she was the only one in her kingdom who wasn’t afraid to use the Nkume juju, and she’d jerked in shock when she felt a force zoom past her inside the river. She followed it to the other side and watched as a lean, hard, muscular and completely naked body rose out of the water. He strode unhurriedly to some clothes on the bank, putting them on as if unaware she was there staring open-mouthed. “I know my body is impressive. You can close your mouth now,” he’d said. She was turned on by his arrogance. Attraction, like a hunter, captured her. He was sugar and she, a sugar ant.

Now she headed to the river, waded in and searched for an Nkume-mmiri, a sheeny pebble that grants the user the ability to control the tides. She placed it on her abdomen and immediately felt the power flow from it through her, right from the top of her head to the soles of her feet, enriching her with the ability to control the currents, breathe and see underwater. She shot with the speed of an arrow to the other side of the hill in minutes.

She stood up, gave back the Nkume-mmiri to the river, wringed her clothes, and walked to the hill. There, she picked an Nkume-ugwu, a tiny misshapen stone with distinct markings, and placed it once again on her abdomen. A green face materialized from the side of the hill. Its dark eyes assessed her, and she felt the Nkume-ugwu burn hot, then cool. The figure opened its mouth and allowed her to step through it.

She found Eyimofe waiting for her under a tree. She became very shy and tried to smooth back her short, wet, spiky hair. Eyimofe hurried to meet and hold her. He buried his face in the crook of her neck, one hand at her waist and the other in her hair, his heart pounding. “I was afraid you wouldn’t come,” he said, his voice muffled. She laughed. “Not even the piper bird’s gossip can keep me away from you.”

She sighed. “I don’t how I would survive with the wounded everyday, without you to help me remember that despite the evil humans do to each other, there are still good people.”

“You’re a healer,” he said. “I want to hold you all day like this.”

“How will you eat then,” she teased.

“I don’t need food. The sight of you fills me up.”

“Ha! I crossed seven mountains and seven seas to meet you here.” She tapped on her stomach.

“Come, hungry lioness.” He pulled her playfully to a cashew tree. “I brought some food.”

He fed her tapioca and coconut, and she nipped his fingers playfully with her teeth.

“I won’t feed you again,” he pouted.

She pulled the finger into her mouth and sucked it gently, holding his gaze with her eyes and watching them darken with pleasure. “Better?”

He nuzzled her nose with his. “You make me forget the pain the war brings to my kingdom.”

She moved her fingers through his hair. “Do not mention it.”

She jumped up, her hips swaying, her hands on her waist. “Sing me the igede song. I can’t remember the last time I danced the steps.”

“Of course,” he smiled.“I love to watch your hips move.”

He began the song, his voice a rich, warm caress as he tapped his hands on his muscular chest to create the beat. The sun reflected on her skin, and on the glassy beads on her waist. He quickened his tempo, drinking in the splendid sight of her body as she danced faster and faster.

When the song ended, she reclined on the ground beside him, her chest heaving. She pulled him down and kissed him, desire blocking out the cries of the wounded.

***

The Heart Sniper, a messenger of Ani the creator, smiled down at them. She looked away from Monye and Eyimofe, and toward the weapon suppliers for both kingdoms. She turned their gazes towards the forest, making them pine for a stroll along the same bush path. The heart sniper knew it would take a lot of her power, but she had to end the fighting and pain. She grinned and cracked her knuckles. There were more intricate love webs to be complicated and cast.


 

FB_IMG_1548000631883

Blessing Ofia-Inyinya Nwodo studied Adult Education/ English language in the University of Nigeria, Nsukka where she merited the award “Best Female Writer.” Her short story “Vaginismus” was featured in Erotic Africa: The Sex Anthology by Brittle Paper, and she was awarded the Highly Rated prize in the Nigerian Travel Story competition organized by Travel Next Door in 2016. Her essay, “The gendered double standard of adultery in Nigeria” was published by Women’s Media Centre (FBOMB), and she has also been published on Kalahari Review, The Common, Naija Stories, 100 words Africa, Lion spot, and the Rota-Lion magazine. She would love to go for a master’s degree in creative writing.

 

The Last Orgy by Nancy Stohlman

The invitation came in the mail: You’re invited to our Fall Orgy! Please bring a dish to share!

The orgies had started last year. Someone decided we weren’t getting any younger and we better see each other naked before it was too late. The first orgy was super awkward, and I ended up getting Jell-o stuck in my hair and down the back of my favorite coat.

I arrive at this week’s orgy with my Tupperware and the intention of just saying hi and leaving. My friend opens the door dressed as Hugh Heffner. You’re here, he says. He touches my elbow and holds it there a beat too long. I’m so glad you could make it.

There are drinks in the kitchen and snacks in the living room. The fall theme is reinforced in every room with plastic gourds and an actual pile of leaves.

I can’t really stay, I say to our hostess.

Just a little bit, she says, refilling my daquiri.

I eat a cupcake shaped like a vagina, wave to friends in mid-orgy, deliver water bottles, wonder when I can leave and not seem rude.

Eventually the host calls us all into the living room and hands out bathrobes. So everyone take a break, because we have special guest here today who wants to invite us all to his condo in…the Bahamas!

No, your condo in the Bahamas!

We clap awkwardly as a guy wearing glasses and a sweater vest comes to the front of the living room and begins to tell us about time share opportunities in the Bahamas, complete with a PowerPoint presentation showing different floor plans and cost brackets. When he’s finished he calls my friend back.

We love our time share my friend said. It is one of the best purchases we ever made.

That’s right the time share guy says. Did you hear that folks? One of the best purchases he has ever…made.

You can sit down now he says, pushing my friend. Because I’d like to give each of you an opportunity to discuss your own personal condo needs with one of our happiness specialists.

They divide us up into groups and lead us off to different parts of the house. My group heads toward the back bedroom, where several sales people block the door. I know what you’re thinking the sweater vest guy says—you just want to sit through the spiel, get some free stuff, and then get back to your orgy. But our company doesn’t work that way he says. Before anyone is leaving this room someone will be purchasing a time share condo.

The door is blocked by two more bouncers. There’s a pile of purses and wallets in the middle of the room. How about the first person who signs up for a time share gets to go home? And for the rest of you, I have several PowerPoint presentations as well as a TED talk we can watch. The time share guy lifts out a faux leather purse from the pile by its tail like a dead rat. We have a winner he announces. Whose purse is this?

No one answers.

He opens it up and goes for the wallet. Jackie? Who is Jackie. No one says anything. Well, I guess we could just take all these credit cards and create a new identity.

No no, it’s mine Jackie says, coming forward with her head hung.

Jackie, you’re about to be the proud owner of a time share condo. Let’s give her a round of applause everyone.

One by one we are all called forward and one by one we sign a 20-year contract for a time share condo. As we’re leaving our host and hostess stand at the door handing us little parting gifts in paper bags tied with ribbons. I’m sorry he mouths.


 

nancy pink

 

Nancy Stohlman’s books include Madam Velvet’s Cabaret of OdditiesThe Vixen Scream and Other Bible StoriesThe Monster Opera, and Fast Forward: The Mix Tape, a finalist for a 2011 Colorado Book Award. She is the creator and curator of The Fbomb Flash Fiction Reading Series, the creator of FlashNano in November, and the co-founder of Flash Fiction Retreats. Her work has been published nationally and internationally and was included in the W.W. Norton Anthology New Micro: Very Short Stories. She teaches at the University of Colorado Boulder. Find out more about her at www.nancystohlman.com.

The Assimilation of Boyboy Santos by Elison Alcovendaz

On the morning of the Annual Santos Sibling Karaoke Contest, Boyboy told the police he was Justin Timberlake. Previously, he’d been other famous, white, American men: Bill Clinton, George Clooney, and, for one inexplicable weekend, Batman. He never dressed the part, not that it would’ve mattered; of my nine brothers, Boyboy was the shortest and the darkest and owned the flattest face. No amount of makeup or costuming could make him pass as a white man. In fact, he looked so Filipino that random strangers automatically spoke to him in Tagalog, as though he’d just arrived from Manila and hadn’t yet adopted his new American skin.

Or maybe it was his name.

The genesis of Boyboy’s name is one of contention. According to Junior, Dad’s nickname was “boy” growing up, so he named him “Boy’s Boy” though Mom, the stickler that she was, thought apostrophes didn’t belong in people’s names. Thus, Boyboy. Robert says that, since Boyboy was the youngest and the smallest, Dad thought calling him “boy” twice might someday make him a man. I, however, know the truth. When Boyboy was born, our family was months away from moving to the States. Dad and Mom, worried their youngest would have no ties to his Filipino roots, gave him the most absurd Filipino name they could think of. With that name, they said, there’s no way he will ever become one of them.

I found Boyboy on the corner of Calvine and Mack dressed in a plaid shirt and jean shorts. He held a comb to his mouth as a microphone. He danced, too, though most people wouldn’t call it dancing. The cops had arrived before me. They stood against their cars with their arms folded across their chests, laughing their white faces off. Boyboy smiled at the audience as he pumped his fist and spun on his toes. I stayed in my car and watched. It would be better for him to be arrested again, I thought. I drove off. Boyboy waved as I sped by.

None of us expected Boyboy at the Contest, but after we had already sung, he arrived. He didn’t look at any of us as he strutted through the house, stopped at the microphone stand, picked up the remote, and selected his song. For five minutes, he sung without his usual accent. In fact, he sung so perfectly, all of us closed our eyes. When he finished, we opened our eyes to find our brother standing in the middle of the room, though he was tall and blonde and his skin was the color of ivory. Robert jumped off the couch and tackled him while Junior called 911, but all I could think about was that he finally did what Dad and Mom said he’d never do.


 

image1

Elison’s work has appeared in The Rumpus, The Portland Review, Gargoyle Magazine, and other publications. He has an MA in Creative Writing from Sacramento State and once won a short story contest in sixth grade. To learn more, please visit www.elisonalcovendaz.com.

A Mrs. Dalloway Kind of Day by Reshma Ruia

Nose buried in a bouquet of flowers. She strides through the park. The distant hum of traffic. A bee’s snore in her ear. Easy enough to be happy. Toss a coin. Swipe a card. Buy the dress. The shoes. The jewels clap away spider web shadows. Lurking in the rooms. The hurt. The bruise. The dripping faucet of an eye. They belonged to another day. If only she could run back to her ten-year-old self. Chasing butterflies on the village green. Cheeks freckled with sunshine not age. A heart somersaulting in joy. Limbs dripping youth.


 

ReshmaRuia-photo

Reshma Ruia is a writer based in Manchester, England. She has a Masters with Distinction and a PhD in Creative Writing from Manchester University. Her first novel is called Something Black in the Lentil Soup. Her second novel, A Mouthful of Silence, was shortlisted for the 2014 SI Leeds literary Prize. Her short stories and poetry have appeared in various international journals and anthologies and also commissioned for Radio 4. She is the co-founder of a writers collective that aims to encourage emerging British South Asian voices.

The Sound of Ice by Megan Furniss

They say you can only see us from space. From there we are tiny flicker pinpricks, a join-the-dots circle of light, bobbing on a dark sea. You would need to go to space to know we exist.

I wake up to the sounds I know. There is the lonely yawning of the big ice, a creak and scream. There is the huge, continuous slam of ocean against that wall of ice. Closer. I know that ma’s hands are pulling the rope and I can hear her arms brush up against her skirt and apron. Shook, shuck. Shook, shuck. Every day the rope is pulled. Sometimes the wooden bucket attached to the rope has hand written notes of greeting, bits of precious chocolate or scraps of fabric for sewing. Messages from the other lighters; women like sharing small gifts. And of course, there is our daily block of ice.

We are known as the lighters. In our circle there are 167 tiny boats, each with their own mother and daughter crew. We light a circle of protection for the iceberg. We defend it with our lights. We protect this valuable resource of pure water from thieves and pirates who might stumble upon us. You would say how could we do anything? Ma says we are nothing more than an early warning system. They don’t mind losing us. But we are safe here.

The waves slap against wood. I peep out. It is dark. We sleep in the day and wake and watch at night. Let them know by radio if we see anything strange. We have learned the sounds of water and ice.

Ma says my thirteen-year-old body is typical. I need sleep. Hours of it. Ma says, “Lucky we out here, with all the time in the world. Lucky for you.”

“Ma, ma. Let’s have tea. It’s cold ma.” I drag my coat off the floor, pull it under the bedclothes, grunting and struggling to put it on without letting any air in at the sides. Inside the coat pocket is my purple woolly hat and I stick my head under the blankets to put it on. It smells and I gag. When I burst through ma is laughing and my heart lights up. “You been warming yourself with farts again?”

She is chipping at the ice block and scraping the shards into a pot. Then straight onto the burner to boil for tea. Each boat gets a tiny block of the iceberg every day. “It’s the price it has to pay, poor thing.” Ma says.

I shuffle across the creaky wooden floor to the tiny cupboard and open the tin. Wrapped in oilcloth with tissue paper on the inside to keep them dry are ginger biscuits; one for each of us, one for every day of the month. There are two left. That means a delivery tomorrow. A month’s supply of everything we need will be parachuted into the water near us and we will haul it in. Also, once a month the circle of boats is ruptured when the huge icebreaker comes to take a chunk of the iceberg to shore.

The bell tinkles. A fish. Ma gets there first, opening the hatch in the floor and pulling a thinner thread this time, until a silver fish flops up, gaping, bringing with it the cold, and salt on the air. I stand with the hammer and aim perfectly, crushing its head. I whisper thanks, like a prayer. I hate the moment of killing.

“Put on the TV and I’ll fry it up ma.”

I clean the fish. Silver fish scales collect like extra nails on the ends of my fingers. The TV screen shows the sea, the camera moving in a circle and following the light, over and over, forever and ever. The light makes the waves white, then grey, then black. Suddenly the beam passes across the surface of the iceberg and the TV screen goes completely white, no end or beginning.

Whenever I see that I cannot breathe. It is the same cannot-breathe-feeling from before, when we were not here, just a family, and the man-my-father has me in a chokehold, his body behind me, and shoving.

“Ma!”

“It’s ok, Luce, it’s ok. Here, here’s a towel.”

I come back. I have pressed the scaling knife along my palm without noticing. Ma hands me the tea towel and I wrap my hand. She looks at me and I start breathing again. There is sorrow in her face, deep and long, but the fear is gone.

Before, at the women’s shelter, ma had panicked. We had run with nothing when she had come home early from work and caught him up against me and me not breathing, in a chokehold. She had struck out at him and we had run, even as he got to his feet, threatening to kill us both. “He will find us,” she had cried, “and then he will kill us,” over and over. The shelter knew where nobody would find us. We would be invisible, but we would be the lighters. Like many before us, and many to come. That’s where people like us go.

The fish sizzles in the shallow pan. I sip tea, holding the mug one-handed and watching the liquid move in time with the waves outside. Waves slap wood. Tiny tea waves slap the china wall of the mug. The ice groans and sighs. Ma runs her fingers along the tiny bookshelf. “We’ll have some new ones tomorrow. Just think.”

She holds up a worn copy of Roald Dahl’s BFG. “Imagine, the queen of England. Imagine a giant, even a little one.”
“And snozzcumbers ma, and whizzpoppers.” Imagine.

I look at the TV. The beam moves across the waves. White, then grey, then black. We dip our ginger biscuits in the tea, just long enough for the edges to start crumbling away, then we stuff them in our mouths and suck.


 

MeganF1

 

Megan Furniss is a playwright, writer, theatre director, actor and improviser. She loves words and stories and making stuff up.

Revival, or The Mistakes Made by Those Stuck in Porcupine Plain, Saskatchewan by Kaitlin Ruether

You must be desperate or something, because you haven’t looted in ages, and your fingers tremble when your eyes fall on the wall of spices, the second biggest you’ve seen (the first you witnessed when your mother dragged you by the wrist to another Saskatchewan farmer’s market, the Big River Market, three hundred kilometres from where you stand now) and you are mesmerized by the pale carmine chilli and the gamboge curry, the staples of your craft; of course, in a town as small as Porcupine Plain, there are eyes that follow you, know you by reputation, so you move from the wall of spices out into the world (you still have a baggie of nicked onion powder in your glove box, next to the weed), but you are stopped in the parkade by a woman, mid-fifties, with smudged eyeliner and a too-large tank-top who blocks your path and stares you down as tears streak her cheeks, and she begs you to do her a favour, whimpers, “My son-in-law … he’s hurt,” so you follow her back to her blue sedan and see not a child like you imagined (caught on the word “son”) but a man of maybe thirty passed out in the passenger seat, and the woman eyes your sleeve of prison-gained tattoos with expectance so you rattle the door handle, but it’s locked, and behind you she sobs so you look at her and wait until she says, “He’s been drugged,” then shakes a breath from her lungs, “I drugged him,” she finishes (ah, so expected criminal empathy is why she cornered you), and you think of the turmeric in the aisle, the forbidden tangy nip of the dust, and you ask why, though you’ve never had a good answer to that member of the 5 Ws family yourself, but “I love him,” falls out of her mouth like too-hot makhani eaten with impatience: it slops to the pavement and you are uncomfortable to watch, so you look at the man and the dribble of drool that pools on the strap of the seatbelt, and you can hear music from the stereo — Jethro Tull’s forty-four minute “Thick as a Brick”: one song, one album, no full-stop — and the man in the car inhales and you exhale and the breeze dies, and the woman begs you again to get him out, but you’ll need a coat hanger, which you tell her before you tread back towards the market where you remember a young woman who sold tie-dyed t-shirts, but on your way you pass the spices, and your fingers wrap smooth along the glass of golden curry powder, the thrill in your blood returned — tonight you’ll craft kashmiri lamb and potatoes, or tikka masala and palak paneer — and the man in the car will wake to the tune of a rock ’n’ roll flute and a mother-in-law in crisis and you will be far, far away.


 

kaitlin_ruether

Kaitlin Ruether is an MFA candidate at the University of Guelph in Toronto and a graduate of the University of Victoria’s Creative Writing Program. Her work has appeared in New Limestone Review, Freefall Magazine, and This Side of West.

You Can’t Put Your Arms Around a Memory by Max Hipp

Mitch sees a man in the patch of yard between the apartment buildings banging his head against the wooden lamppost. He’s not leaning into it. It’s like he’s testing it, thinking about hitting his head harder, trying to get used to the pain bit by bit. With each strike the gas flame on top flickers, the lantern casing wobbles.

“Hey,” Mitch says. “Need some help?”

He cocks an ear at Mitch and hits his head against the post again. The gas flame dances.

“Why?” he says. “Do you have a better way of doing this?” He’s blond and medium handsome. He doesn’t seem crazy. He’s in a sweated-through, pink Izod shirt and khaki pants. Perfectly normal. Too normal, maybe.

Mitch sits on his steps and fires up a Camel. After all these years, there’s still a hint of that first inhale the neighbor kids dared him to take. He was twelve, on the school bus. He got suspended, sure, but he’d shown who had the guts.

“I can get a bat,” Mitch says to the man.

“Would you do that for me?” he says. “Because that might be what I need.” He goes down on one knee, sits Indian-style against the post. Blood trickles onto his pink shoulder. Real blood mixed with sweat looks like fake blood.

“It’ll cost you.”

“How much?”

Mitch flashes fingers on both hands five times.

“How much is that? It’s hard to concentrate.”

“Fifty.”

“That’s a goddamn deal.” He gets up and sticks out his hand. “Call me Adam.”

*

Mitch punches through the radio stations until Adam comes out of the bank. The tellers have given him paper towels for his head. He opens the door and throws the wad on the dashboard. Bright blood seeps into the quilted pattern.

He pushes cash into Mitch’s hand, a newly minted picture of Grant, and cranks the car. Mitch holds it under his nose and closes his eyes smelling the otherworldly ink. It reminds him of the ballpark where he sold cokes, hotdogs, snowballs, nachos. Counting money at the end of the night, straightening bills. The ping of baseballs off metal bats.

Back in the apartment, Adam stands in the hallway as Mitch rummages through a closet, pulling out knee pads, helmets, gloves, racquets, and finally a thirty-three-inch, Eastland baseball bat. He grips it with both hands and whiffs it through the air.

“Beautiful!” Adam says.

They go out to the parking lot. People are walking dogs around the doggie-track section of the complex. Adam kneels down, khaki knees on the asphalt. Mitch grips the bat and takes a few practice swings.
“This is going to do the trick,” Adam says to the pavement between his hands, smiling. “I can feel it.” He sticks his neck out to provide a cleaner target.

Mitch grips the bat. He widens his stance and crouches like he did in the batter’s box so many years ago. He looks at Adam, dried blood in his hair. Dried blood on the side of his face, his neck muscles tensing.
He drops the bat. It rings and rolls to the curb. He sits on the pavement and lights up. Maybe, somehow, he lost his guts.

“What happened?” Adam says.

“I thought I could do it,” Mitch whispers. He looks at his hands like things are slipping through his fingers.

Adam nods and stares at Mitch’s apartment. “Mind if I use your bathroom?”

After ten minutes of staring at the bat, his hands, his happy neighbors with dogs, Mitch goes into the apartment looking for him. He finds the pink Izod and the khakis. He looks outside beyond the cracked patio, half expecting to see naked Adam hiding in the trees. He checks back at the lamppost. He walks around the whole complex, peering behind hedgerows and even the back fence where everybody tosses dog poop.

At the end of the night, when Mitch empties his pockets, the fifty-dollar-bill is gone too.

The next day Mitch feels unlike himself. Something is missing. He puts on the stinking pink shirt and khakis and goes outside to the lamppost. He feels dull and slow since Adam disappeared. He believes the man’s name was Adam but can’t be sure. He stares at the post. Seems there’s nothing to do now but hit his head against it.

The impact seems to jar something loose inside, a flash of what it feels like to waterski, the wake, wind, and sun. Holding his body rigid against the pull of the boat. A little more shakes loose when he does it a second time. The summer his family went to Pickwick Lake and he got so sunburned it itched under his skin when he showered and there was no way to scratch.

It hurts to hit his head, but the hurting helps.

The girl from the apartment next door, the waitress with the lip ring and neck tattoos, sits on her stoop, smoking and watching him.

Mitch feels blood trickling behind his ear. It’s not bad, just bloody sweat. He hits the post and remembers his grandmother’s face, how cold her hand felt on his feverish forehead.

Something’s important about these flashes of memory. He can’t quite get the full picture, the meaning and feel of them, but he can’t bring himself to hit his head against the post any harder. Hitting it harder, though, might help everything shake loose at once, everything he’s been tucking away and losing little by little.

“Hey,” the girl says, flicking ashes. “Need some help over there?”


 

IMG_3229

Max Hipp is a teacher, writer, and musician living in Mississippi. His work has either appeared or is upcoming in Black Warrior Review, Bull: Men’s Fiction, Bridge Eight, New World Writing, Pidgeonholes, Unbroken Journal, and Five 2 One. Tweets @maximumevil.

On My Day Off by Benjamin Niespodziany

On My Day Off I was getting my hair cut when my wife, a midwife, called. I let it go to voicemail. In the voicemail she said, “You have an envelope waiting for you at home.” She said she was afraid, said she didn’t like how it felt in her hands. I told her to please place it on the table before leaving for work. My wife worked nights. “I’ll be home in a bit.”

//

I paid the barber in good bread and silence: the same amount since I first started seeing him nineteen years ago. Almost two decades of haircuts and we’d never said a word to each other. I hoped to never know his name, considered him to be one of my best friends. The earth spins just fine sometimes.

//

After my hair cut, I walked to my car down the street and noticed a struggling veteran with handfuls of roses that sat in a bucket of juice. He held a sign that said, Free Hugs But Not Free Flowers. I bought a dozen reds and hugged the man twice. Twelve flowers to bring home for my wife.

//

Our divorced friends used to come over for dinner and couldn’t believe that my wife and I were still together. They rolled their wedding rings down our hallway and laughed at me as I chased after the gold in hurried silence, thinking about how my uncle once placed his wedding ring into the church basket’s offering. He called it his contribution. He called it his shed.

//

On the car ride home from my hair cut, I saw a wolf fighting both a man and a dog. Two against one. I stopped my car and offered to help. I recognized the man from fencing. The wolf was really aggressive. I had a sword in the trunk of my car. “Brand new thing!” I shouted at the man. I was still trying to find ways to use my sword ever since buying it a few months prior. My wife didn’t understand the purchase. Asked its expiration date. The man yelled, “Go on, get the hell out of here! This is between me, my dog, and this wolf! Don’t bring swords into a personal matter!” The man’s leg was bleeding pretty bad. I noticed a dead owl in the front yard. Sitting still to the side of their battle. Its eyes open wide. Was it their prize? Like always, I didn’t ask questions. Like always, I said nothing. I got back in my car and kept driving.

//

By the time I arrived home, I’d forgotten all about the envelope described by my wife while I was getting my hair cut for some bread and some silence. The letter was the first thing I noticed when I walked inside. It was on the table as I’d asked, and it sat next to a burning candle, one I’d never seen, one that dripped with wax a bit too freely. The power was out, the place more silent than a mime fight. Usually my wife left music playing for me. An entrance song. Smooth jazz. “Honey?” She was probably already at work. An acclaimed midwife who used to be a nurse. “Honey?” I heard nothing. For the first time all day, I cleaned my glasses. “Honey?” I placed her flowers in a vase and opened the letter with my sword, something to be read slowly by candlelight, something to close out my only day off in months.


 

BenN

Benjamin Niespodziany is a night librarian at the University of Chicago. He runs the multimedia art blog [neonpajamas] and has had work published in Pithead Chapel, Cheap Pop, HOOT Review, Ghost City Press, and a handful of others.