Plum Mother by Michael Nickels-Wisdom

Our dog, dachsund-and-chihuahua, fell redly to us from her family tree. After the usual medical exam, shots, spaying, and licensing, she was with us for 17 years. But one day in her middle age, we had just finished dinner and were eating fruit, and someone gave her a dark purple plum. Instead of immediately eating it, though, she gently carried it away. Later, we saw that she had chosen a place apart to lie down with it. There she lay on her side, with the plum lying in the place a puppy would if it were nursing. If any of us made a motion to remove it, she would raise her head, bare her teeth, and growl. The plum went with her wherever she went, for three weeks. Her nipples even appeared to have swollen. Eventually, the plum became wrinkled, covered with lint, and riddled with tiny inadvertent toothmarks. Then she carried it to a corner, set it down, walked away, and mourned for several days.

 


Michael Nickels-Wisdom has written minimalist poetry since 1990 and very short prose since 2011. Some of his short prose has appeared in World Haiku Review, A Hundred Gourds, and Scifaikuest. He is retired after 38 years’ service in a public library in the Chicago suburbs.

Bridal Wear by Brunda Moka-Dias

Nigel’s mother wants you to wear the lily-white wedding gown with a tiara headpiece and a thin gauzy veil. She is a Catholic Brahmin matriarch. Your mother, a Hindu Brahmin matriarch, wants you to wear a red and yellow Kanjeevaram silk saree with a shiny zari border in paisley design.

You wear a cream raw silk saree with a golden border. With risqué flair, you tie it below your navel.

Nigel’s mother wants you to wear her own mother’s short 24-carat gold chain with a simple gold cross. The cross is the size of a little finger that would rest comfortably in the dip between your collarbone. Your mother wants you to wear a lengthy 22-carat double strand wedding necklace made of gold, and black onyx beads. She wants the groom to clasp it around the bride’s neck in front of the altar.

You wear a pearl necklace, costume jewelry, from the Met Museum shop.

Nigel’s mother wants you to wear plain gold stud earrings, two gold bangles on the right wrist and a jeweled watch on the left. Your mother wants you to wear jhumkas made of gold and rubies to dangle from your earlobes like mini chandeliers. She wants your forearms to be filled with the happy bangling of green glass and gold bracelets engraved with images of Goddess Lakshmi.

You wear pearl ear drops, a graduation gift from your college roommate’s mother, and a rice pearl bracelet given to you by Nigel for Valentine’s Day.

Nigel’s mother wants you to wear your long hair shorter and straightened; your mother wants you to wear a braid or a voluminous bun woven with fresh jasmine.

You wear your curly hair half up-half down held together with a pearly rainbow hair comb.

Nigel’s mother doesn’t want you to wear the traditional symbol of Hindu marriage on your forehead. Your mother, of course, wants your forehead adorned with a traditional circle of bright red kumkum powder.

You wear a dainty stick-on bindi-flame hoping it would ignite the energy of your third eye and cause you to levitate beyond the chaos of a Catholic groom-Hindu bride wedding, and strong mothers who hail from India.

You and Nigel stood in front of an altar with a towering crucifix at Immaculate Conception Church. It was a block and a half away from the exit ramp off of the roaring turnpike. Twenty-two wedding guests were in attendance. Twenty-one were from Nigel’s family and one was from yours: your brother-in-law who walked you down the aisle.

 


Brunda Moka-Dias works as an educator and has studied writing in a few workshops including at the Iowa Summer Writing Festival. She is an emerging writer and her first story will be published in Image journal.

What We Left You by Alex Juffer

An accounting, since you tend to divide the world into what’s yours and what can never be.

The silver sleeve of a Frosted Blueberry Pop-Tart packet on the kitchen counter, one left. Your daughter needed breakfast. Two peaches rotting into each other, half a tray of Oreos, three frozen meals crusted in ice. The smell of cigarettes and seasonal candles and sweet toddler shit that I could never scrub out of the walls.

That electric blanket with the chewed-through cord, a space heater, one fan with a tilted neck that spews dust. Four vacation photos set in the backyard of your parent’s place down in Sarasota tacked to the fridge. Our one vacation. You hated your father, a north star for righteous fury, but you were so afraid of becoming him that you forgot yourself. (In a letter, I know! Hold your complaints, I can hear them already. Just read.)

The plastic arm of a doll under the couch, miniature sunglasses clutched by the arm, a red convertible responsible for the crash. Quinn never took to the doll. She’d rather throw rocks or cast spells in her own babble, stubborn as she is. You’d say she got that from you, but her will is stronger than either of us and I pray that it holds.

A string of Christmas lights, one imitation Christmas tree, and seventeen ornaments, including an angel for the top of the tree with its wing snapped off—Quinn cried when it fell but you said it couldn’t fly away on us now. Remember?

We left you Kenny the Cat. He’s an asshole but you’re a better man when you have something to take care of. I cleaned the litter box.

Eight karate trophies won in the late 90’s crowded on the dresser (an observation, so don’t get mad at an observation, or ask yourself why that’s your reaction). A large wooden crucifix that always creeped me out, a crib with the rails sawed off, twenty-five glow-in-the-dark stars on the ceiling, a coin dish holding four sticky pennies, three open mints, and a Camel Crush with eight puffs left for when you get home. I don’t usually smoke, but.

Two Bibles, one with a bookmark, the other hollowed out, but I took the pocketknife from inside. I’ll need it on the road and anyways you’re one of those boys who thinks violence never ends in blood. Your uncle claims it was well-used in Vietnam, but I think he got it at Joe’s Army Navy Surplus. It’s OK: Every family needs stories to pass down, but I don’t want her carrying those stories, and if you’re honest with yourself you don’t want that either. If they’re true, that’s worse, and some stories should die with the people who hold them.

When you find this, you’ll be angry and chew on ice until your jaw goes numb. I’d be worried if you felt nothing but think of all the adventures for Quinn out here. I’ll write, let you know some of them. There’s nothing left in our home—we’ve lived through all the days there.

I’d tell you about the things we took, but you already know what you’ve lost.


Alex Juffer lives in a small town in Minnesota with his wife, two dogs, and a family of attic squirrels. He’s won competitions, been a Wigleaf Top 50, and has publications in Epoch, Passages North, Monkey Bicycle, Vestal Review, X-R-A-Y, The Los Angeles Review, and more.